Zahra Abbasi; Kouros Samanian; Seyed Saeed Zahed Zahedani
Volume 9, Issue 4 , Spring 2019, , Pages 101-125
Abstract
Collective memory consists of four stages of formation, registration, association and transfer. The role of wall paintings as a sign of the identity of many monuments is more important in the first two phases. The purpose of this study was to investigate the two stages of formation and recording of collective ...
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Collective memory consists of four stages of formation, registration, association and transfer. The role of wall paintings as a sign of the identity of many monuments is more important in the first two phases. The purpose of this study was to investigate the two stages of formation and recording of collective memory in the Karim Khan citadel in Shiraz. The main question of the research is that the mutual effects of clearing of historical wall paintings and the ability to formulate and record collective memory? The research method is (quantitative-qualitative) and data collection is done in two stages of library studies and field studies. Data were analyzed by Manova multivariate analysis. The results of data analysis show that attention to different dimensions of cleaning in the form of attention to the harmony and integrity of the paintings, historical values, extensions and peeling, the age and originality of the paintings, the values Aesthetics, Historical Symbols and Symbols, Patagonia, Different Historical Periods of Wall Paintings, Strong Strengths Over the Past, and the Level of Preservation of the Identity and the Truth of the Wall Paintings, and the Creation of an Appropriate Course for Continuing to Visit Wall Paintings And the imaging of wall paintings strengthens the ability to formulate and record collective memory over a wall paintings.
